In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life. Joan did not speak for a time. She could see him grave—a little pompous, in his Sunday black, his footsteps creaking down the stone-flagged aisle, the silver-edged collecting bag held stiffly in his hand.!

“No, not His last,” said Joan: “‘Lo, I am with you always, even unto the end of the world.’ Love was Christ’s God. He will help us to find Him.” “Am I very like her?” she asked.

A wizened little man had been listening to it all one day. He had a curiously rat-like face, with round, red, twinkling eyes, and a long, pointed nose that twitched as he talked. “I’se tooked them off,” explained Joan. A piece of information that really, all things considered, seemed unnecessary. “Don’t make us out all alike,” pleaded his sister with a laugh. “There are still a few old-fashioned papers that do give their opponents fair play.”